Truth on how a man can survive tides of times

In ordinary life, truth is what really exists, what a person really knows. Whereas in set it consists of something that is not actually in existence but which could happen. For example, when you go in and you ASSUME ATTRACTION, you going holding the belief that she is already attracted to you,
when this may or not be the case. What’s significant here is the reality of the inner life of the pick up artist, and his belief in that reality. We're not concerned with the actual naturalistic existence of what surrounds us when we're out doing pickup, or the actual reality of the material world! That is of use to us only insofar as it supplies a general background for our feelings. When you have a strong belief in your internal reality, this is what we're talking about when we say you need to maintain a "strong frame.” In other words, you need to have an unshakable belief that your perspective is the "correct" one, the one that corresponds with "objective reality," even if outside circumstances seem to indicate otherwise. What you have to do is put life into all the *imagined*
circumstances and actions that you must go into set with (i.e. assumed attraction and rapport, "alpha" status in set)until you have completely satisfied your sense of truth, and until you have awakened a sense of FAITH in the reality of your sensations. Truth in set is whatever we can believe in with sincerity,
whether in ourselves or in our wingmen. Truth can't be separated from belief, or vice versa. Everything that happens in set must be convincing to the pickup artist himself, to his associates and to the targets. It must inspire belief in the possibility, in real life, of emotions analogous to those being experienced by the pickup
artist. Each and every moment must be saturated with a belief in the truthfulness of the emotion felt, and in the action carried out, by the pickup artist. There are guys that are so strict with themselves in adhering to the "objective truth" that they often carry that attitude, without being conscious of it, to extremes that amount to
falseness. You shouldn't exaggerate your preference for truth and your abhorrence of "lies," because it tends to make you overplay truth for its own sake, and that, in itself, is the worst of lies. Try to be cool and impartial. Remember that reality in and of itself is by its very nature a subjective experience. You can even get some use from "falseness" if you're reasonable in your approach to it. It sets the pitch for you and shows you
what you should NOT do. Under such conditions, you can use a slight error to determine the line you shouldn't cross. The most important thing to remember is that you should never lose your SELF in the set. Always act in your own person, as an artist. You can never get away from yourself. The moment you lose
yourself in the set marks the departure from truly living and the beginning of exaggerated, false "acting."
This is what we call "incongruity." And women can sense it VERY well. Always and forever, when you're interacting with women, you MUST be yourself. The thing is, it's in an infinite variety of combinations of objectives, and given circumstances which present themselves in the field, and which have been smelted in the furnace of your emotion memory. You can't repeat an accidental sensation you may have in set,
any more than you can revive a dead flower. It's far better to try to create something new than to waste your efforts on dead things. How to go about it? First of all, don't worry about the flower, just water the roots, or plant new seeds. Many guys work in the opposite direction. If they achieve some accidental success in an interaction, they want to repeat it, and they try to get at those feelings directly, to conjure them up by mechanically repeating the words as a "routine.” The thing is, that's like trying to raise flowers without the cooperation of nature, and you can't do that unless you're willing to be satisfied with artificial blossoms. Don't think about the desired outcome of the routine itself, but set your mind to work on what makes it grow, what the conditions were that brought about the experience. Never begin with results. They will appear in time as the logical outcome of what has gone before. On the surface, these may seem like some fairly esoteric concepts. But to guys who are in the field consistently, they will understand immediately what I'm getting at here. Nothing beats field experience. No amount of intellectualizing or reading of newsletters, even one as badass as this one, can
replace good old-fashioned fieldwork. That's what makes our live, in-field programs such an incredible
value. Take our Super conferences, for example. These programs, held monthly in a different major metropolitan area, bring together some of the best guys in the game for a seminar/workshop combe that will rock your world. Over the course of the program, you'll be bombarded with MOUNTAINS of cutting-edge information to rocket your game to the next level. Armed with this information, you'll be able to:

1. Approach any group of people without fear or hesitation.

2. Immediately capture their undivided attention.

3. Separate yourself from the competition.

4. Build attraction within minutes (if not seconds).

5. Consistently establish comfort and trust.

6. Deflect any opposition with conversational ninjitsu.

7. Demonstrate that your standards are extremely high.

8. Seal the deal consistently!